Cinematographer in Portugal Showreel Fernando Santos

#COME TO PORTUGAL | BRANDED CONTENT

#CELIO – DISTRESSED DENIMS CAMPER VAN | TVC

# RENAULT CLIO – EVERYDAY RACES PEDRO | TVC

#CELIO LINEN DAB | TVC

#MIMOSA BISCUITS SM | TVC

#CASTLES – TAVERN SCENE

#RENAULT CLIO – EVERYDAY RACES DANIEL | TVC

#É PRESISO – MUSIC VIDEO

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#MR SUN GLASSES | BRANDED CONTENT

#WELLS – PENELA SCENE

Cinematography Services

Cinematographer – Shaping Light, Telling Stories

Director Photography shooting in Portugal

VISUAL INSTINCT

A cinematographer doesn’t just work with light — they work with emotion. Every beam, shadow, and lens choice becomes part of how a story is felt. It’s not only about how something looks — it’s about what it makes the audience feel.

I believe cinematography is about intuition, sensitivity, and the ability to transform light into a narrative language.

BE INSPIRED

Every project begins with inspiration. I approach each frame as a question: What is the emotional truth here?

Like a painter studies the changing light across a single subject, I watch, absorb, and translate. Whether I’m lighting a room or shaping a face, the goal is always the same — to reveal something invisible, something real.

BE CONNECTED

Great cinematography doesn’t happen in isolation. It’s born from connection — with the director, with the story, with the environment.

I listen, I observe, and I respond. I collaborate closely with directors, production designers, and colorists to ensure that every visual decision aligns with the story’s core message and rhythm.

BE CREATIVE

Creativity is knowing the rules — and choosing when to break them.

I explore natural light, practicals, diffused sources, and contrast as emotional tools. Every location brings unique challenges, but also unique light. I see light as memory — how it falls, how it shifts, how it shapes a scene. That memory becomes the palette I use to craft mood, texture, and tone.

CINEMATIC LANGUAGE

Cinematography is not just about beauty. It’s about rhythm, silence, chaos, stillness — all communicated through visual choices. From lens selection to movement, exposure to shadow, everything has weight.

I design light that supports performance. I frame moments that hold emotion. I guide the viewer’s gaze — and sometimes let them feel lost on purpose.

LIGHT. EMOTION. INTENTION.

Whether you’re directing a film, a commercial, or a music video, I bring emotional literacy, technical control, and a collaborative spirit.

Let’s make something that moves people.